Life Coach

Run Time: 02.55
Production: Neil Chordia
Director: Suzanne Mills
Sound Design: Lee Grainge
Year: 2009

Short Film.

Bad Boy

Run Time: 02.55
Production: Neil Chordia
Director: Suzanne Mills
Sound Design: Lee Grainge
Year: 2009

Short Film

Red Light

Run Time: 08'27
Production: Futurist Films LTD
Director: Shaune Harrison
Sound Design: Lee Grainge
Year: 2008

Emma Jones returns to her workplace late one night but to her dismay soon realizes that she may not be alone. When she finally discovers who is watching her she becomes desperate to leave this place as soon as possible, unfortunately the only way out is an old black maintenance lift…

Re-Recording Mixer: Richard Kondal

NORA

Run Time: 08.39
Production: UK Film Council & Film London
Director: Amy Engles
Sound Design: Lee Grainge.
Year: 2008
Shown at: DVD Compilation release

A short sci-fi telling the story of an androids search for freedom.

Although credited as sound designer, I supervised the post sound, recorded the voice overs-ADR and final mix. Other sounds designed by Matthias Kispert, (additional- synth FX) music by Florian Prenninger and Domenico Mino.

The Vanguard

Run Time: 01' 42
Production: Propoganda Pictures
Director: Matthew Hope
Sound Design: Lee Grainge
Sound Mixer: Julian Willson Gavin Marshall
Year: 2007

Final Post-production Stages. Vanguard Trailer2

Read more about The Vanguard www.vanguardmovie.com Film has now been picked up by Lionsgate. Due for DVD release, October 2008 (TBC)

FieldWerk

Run Time: 05' 01
Production: Auxstatic
Director: Sebastian Irrgang
Sound Design: Lee Grainge
Year: 2002
Shown at: Centre Pompidou, Paris - CY Net art 04
Festspielhaus Hellerau
Dresden

Fieldwerk is an experiment, that traces the difference between information and disfunction to that point, where disfunction itself becomes again information. Sound and image are broken down to the very essential elements that characterise the setting in order to provoke reconfiguration. Abstraction through compositing combined with analogue and digital noise generated through the use of analogue feedback loops and different ways of compression, sequenced with the original footage, create layers of distortion...

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